A Japanese meat presser is investigating as players from his country file court cases against Ubisoft’s next for “cultural theft” assassin’s creed shadows,
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The meat presser in question, Satoshi Hamada, is a member of the Councilors’ Area, a higher echelon of Eastern National Nutrition.
One of two participants in the separate ‘Party to Protect the People from NHK’ – a birthday party whose platform is built on opposing the federal government broadcaster’s all-but-mandatory licensing fees for TV and whose club is a contemporary management Fallout After Controversy – Hamada has recently joined the ranks of various Jap citizens who have found themselves outraged over the various historical inaccuracies introduced into Ubisoft’s next game.
On July 11, Hamada retweeted a post from a fellow Jap assassin’s creed shadows‘ The presentation is comparable to how some of its structures contain Chinese rather than Japanese or how even a lowly servant can be seen sitting on the same level as Oda Nobunaga himself.
With this retweet, Flesh Presser made a “request for opinions” from the general public (as translated by DeepL Gazette), informing them, “We received a consultation by a French game company regarding changes to Japanese history. We share the advice below along with the images we believe point to your comments and suggestions. Will be happy to receive.
Additionally, Hamada shared a list of similar ideas that had already been brought to his attention, including the above and the possibility that Yasuke’s prominence in the game’s plot might overshadow this misconception. that he had a bigger role in Japanese history than he actually did.
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Less than 24 hours later, Hamada shared an update, writing, “Thank you for your many comments about the new Assassins Creed Series of games set in Japan. In relation to the above. We received advice from another man about cultural theft and cultural invasion regarding ‘Yasuke’, a black man who served Nobunaga Oda. I will share with you the content of the consultation.
From there, Hamada continued to share two tweets using pictures showing the comments he received from Japanese voters regarding the game.
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Therein, some regular court cases involved “Yasuke’s alleged cultural theft, or perhaps it would be better to say ‘cultural invasion'”.
To this end, some people even presented several Wikipedia pages of ongoing conflict status Yasuke, which sees many incidents as an attempt to say that the African client is a full and true rather than a less-but-still-respected retainer. Used to be a samurai. Used to be reality.
One person lamented, “I am fighting as a normal person, but the situation has become so big that it can become an international issue.”
Someone else brought up the topic of Nihon College School of Legislation, Tokyo adjunct instructor Thomas Lockley African Samurai: The True Story of Yasuke, a Great Black Warrior in Feudal Japanwhich is the main source of Yasuke’s fraudulent interpretation as a samurai himself, and accuses its conclusions of being “based on his own imagination”.
Even those who generally authorized border and inclusion actions found themselves dissatisfied with Ubisoft, with one person telling Hamada, “The recent drastic movements are good in nature, but they are puts too much emphasis on people and unnatural favoritism towards black people.”
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Additional court cases include Japan’s private government (“The Justice Bureau has been hijacked by a woman who is a poly-college worker”), a game depicting severe beheadings, and how a lie is a truth outside of Japan. May change, come with. Some customers compared it to “comfort women”, for which the Japanese government has apologized on more than one incident.
One silently admired how assassin’s creed Unable to become a classic game sequence that traditionally got it right.
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After sharing those reactions, Hamada provided further insight into people’s opinions on the topic by retweeting several of the reactions to his X post.
@aoi_and_holly instructed, “Since they are saying this is a historical fact, we must clearly tell them that it is a fiction and acknowledge that Ubi (Ubisoft) is at fault for the content.”
“Also, the production company has refused to acknowledge any protests, and the Japanese branch’s Kakkazan1 was criticized. “Foreign media have also published articles defending the development and ridiculing the protests, and we believe these moves to defame Japan are as problematic as the game itself.”
“P.S. “Theft of designs from national cultural properties was also pointed to, in addition to more than a dozen other domestic and international works suspected of infringing commercial copyrights,” he further announced. “This historical rewriting is spreading in the web space, and its opponents have been accused of racism. We would like to add that even without the Yasuke issue, this media art is very harmful to Japanese culture.
At the time of writing, Hamada has not yet announced any formal resolution regarding those court cases, and will likely address the topic at a later date. assassin’s creed shadows Before nationwide nutrition.
Notably, this is not the first time a game from the era has drawn the ire of Japanese locals.
In the game’s initial trailer, Ubisoft damaged a historical re-enactment team’s flag without their permission. This error ultimately ended with their design being removed from the game and a professional apology being issued.
Additionally, a Japanese player started a trade.org petition demanding the game be canceled entirely, which has reached over 80,000 signatures as of the writing of this newsletter.
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