Martin Mull, deadpan comedian actor, singer-songwriter and performer who gained widespread attention in the 1970s on television shows such as “Mary Hartman, Mary Hartman” and “Fernwood 2-Night” and remained active in television and film over the next few years are. Century died on Thursday at his home in Los Angeles. He was 80 years old.
His wife, Wendy Mull, confirmed the death. Wrong reason was given.
Mr. Mull, a graduate of the Rhode Island College of Design, unsuccessfully broke into the performance industry as a singer and songwriter with a sarcastic quirk. He embodied the brilliant, cerebral humor that ran during the anti-establishment comedies of the ’70s and ’80s.
His character – the way he presented himself when he performed musicals and, subsequently, the kind of roles he generally played in films and on television – was amusing, restrained, and consistently sarcastic. Similar to Steve Martin, with whom he occasionally met, he presented an outwardly buttoned-down emblem that belied a consistently absurdist humor.
In “Mary Hartman, Mary Hartman”, a satire of Norman Lear’s soap operas which debuted in 1976, Mr. Mull was cast in the supporting role of Garth Gimble, a domestic abuser who is about to be crucified. He dies through this. An aluminum Christmas tree.
Most recently he starred in the show’s derivative, “Fernwood 2-Night”, a parody of the talk show. He played the host of the exhibition, Barth Gimble, Garth’s double brother.
The Fresh’s John J. “With a pronounced blonde mustache that may or may not be meant as a joke, Barth makes a frenzy of somewhat vague allegations about an unstable job situation and charges pending against him in Florida,” O’Connor said. Copes in depressive ways.” York Instances wrote in his overview of the exhibition. Barth interviewed visitors about UFO sightings and organized departments such as “Talk to a Jew”.
Mr. Mull also stood out for supporting roles in films. Mom” (1983) and “Clue” (1985), according to the board game, in which he played the tweedy Colonel Mustard, and in TV shows including “Roseanne,” the political sitcom “Veep” and the cult comedy “Arrested Development,” In which he was an incompetent private investigator named Gene Parmesan.
On “Roseanne”, Mr. Mull was the recognizable personality’s boss when she worked as a diner waitress (and to make a long story short, his business partner later bought the diner). Early in his seven seasons on the show, it was clear that his personality, Leon Karp, was homosexual; His would-be wife was played by Fred Willard, an extensive associate of Mr. Mull’s who had presented his talk-show sidekick on “Fernwood 2-Night.”
Mr. Mull’s performance on “Veep” as political activist Bob Bradlee earned him his Best Actor Emmy nomination in 2016.
Her many alternative TV roles included a high school principal on “Sabrina the Teenage Witch” and a high school coach on “The Ellen Show.”
Mr. Mull co-wrote and starred in “The History of White People in America,” a parody documentary layout that aired on Cinemax in 1985. In the exhibition, a send-up of social factors journalism within the flavor of “60 Minutes”. Mull employed the talents of many of his old friends and colleagues, including Mr. Martin, Mr. Willard, and writer-comedian Harry Shearer.
Most recently, Mr. Mull appeared in the 2018–19 Fox sitcom “The Cool Kids,” about a group of rule-breaking friends living in a run-down neighborhood. His last role was in the Apple TV comedy-mystery sitcom “The Afterparty”.
Mr Mull’s daughter Maggie Mull shared the news of his death on Instagram, writing: “He was known for excelling in every creative discipline and also for the Red Roof Inn commercials. He will find that joke funny. He was never funny.”
Martin Eugene Mull was born on August 18, 1943 in Chicago to Harold Mull, a chipper, and Betty Mull, an actress and director. He was raised in Ohio and Fresh Canaan, Conn., and earned bachelor’s and master’s degrees in fine arts from RISD.
He was part of a conceptual art group that mounted an exhibition titled “Flush with the Walls (or I’ll Be Art in a Minute)” in the men’s room of the Boston Museum of Positive Arts.
His hobby soon became writing humorous songs, but when he executed them, the audience was constantly amazed. “So I realized I had to come up with tunes, and my tongue went into my cheek, because that’s who I am,” he explained in the 1978 book Fresh Instances. “And from that, a lot of laughs came at certain things and cumulatively built into an act.”
Capricorn Data signed them and they became known as a musical comic. He opened for Frank Zappa and Randy Newman. He had a minor mishap with “Dueling Tubas”, a parody of the theme from the movie “Deliverance”, which went wrong. 92 on Billboard’s Sizzling 100 chart. Some of the albums he recorded were “Days of Wine and Neurosis” and “Sex and Violins”.
He and Mr. Martin were friends and sometimes worked together.
“With Steve it’s so obvious he’s wearing it, but with Martin it’s much closer to home,” Mr Shearer advised Fresh Instances. “You can never be sure whether he’s playing a character or whether he’s the same guy, which is interesting.”
Throughout most of his career, Mr. Mull continued to paint influenced by collage and dream-like imagery. His paintings made their mark in gallery exhibitions and at the Whitney and Metropolitan Museums. In a 1994 overview, Instance’s artwork critic Roberta Smith described his interest as “a gentle, rather pleasing variant on New Image painting”, which was prominent in the mid-1970s, when he was emerging as an artist. were emerging. He called him a “modest genius”, even if he was not the latest.
Mr. Mull was divorced from Kristin Johnson and Sandra Baker. In 1982, he married musician Wendy Huss. He and his daughter live there.
In a 2018 interview with The Times, Mr. Mull was asked whether he consistently heard alternative artists say that they influenced him.
“Okay, this is going to sound very egotistical, but yes, I do,” he said. “But I think I know why. Because if you stay in the business and you get to a certain age, which I’m still breathing, you’re now a legend – because you’ve passed it.
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