Crisis Film Reboot Do Business in Spectacle Though Little Substance

latest TornadoReleased in 1996, it emerged via a blonde date in Hollywood, erasing the limitations of the past that kept A-list actors away from B-movie subject matter. Nothing came better than casting John Malkovich as Cyrus the Virus in Jerry Bruckheimer’s 1997 blockbuster Bruiser. which windBut giving Helen Hunt the lead role in a disaster movie – just a year away from winning an Oscar with Jack Nicholson as true as it gets – given without any doubt Tornado Some sudden seriousness.

twistersOn the other hand, it’s part of a more modern phenomenon: the Sundance-to-tentpole pipeline that began in 2012 when Colin Trevorrow immediately went There is no assurance of safety anymore To jurassic international,

twisters It marks an unexpected progression for director Lee Isaac Chung, who followed up a massive indie breakout hit in 2020 with a low-key folk drama. Minari, The two films share some pastoral overlap – Chung shoots Oklahoma with the same affection he previously gave to Arkansas – however, with the latter prioritizing spectacle over plot. twisters Actually this is not the kind of film on which a writer can easily put his/her mark. There is also a question of time; Warner premiered twisters At the peak of the British monsoon season in early July – they call it Wimbledon – which means the masses are flocking to Outside Raindrops falling to see people going out In Drops of rain falling. Now that formation is little longer than it was probably once imagined.

As the opening progresses, the words “It was a dark and stormy night” are considered a symbol of the falsehood of the English language. twistersHowever, this turns that unfavorable into favorable, as meteorologist Kate Cooper (Daisy Edgar-Jones) teams up with some friends on what she calls a tornado-control mission. The plan is to attack an incoming twister, fill it with polymer (or a thing), and short it out. On the other hand, the plan is no longer working, and another storm is also brewing (“Whatever is out there, it’s big and moving fast!”). Inside 15 hazy minutes of waterlogged, wind-driven carnage, Kate is left, the normal (climate) woman.

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Reduce darkness. Before you say, “Five years later,” it’s, of course, closer to 5 years, and Kate has to do a great job of figuring out the climate from the safety of her desk in Untouched York (“Tornadoes Very Rare in New York”). York,” says one of his colleagues, possibly sowing the seeds for a more interesting sequel). Kate, on the other hand, is found unharmed by Javi (Anthony Ramos), who was the only survivor of the hole attack. Javi is working with the Army on a three-part sensor gadget (Scarecrow, Lion, and Tin Guy) that can triangulate a twister, creating a 3-D map of its progress. Kate isn’t so (“I don’t stalk anymore,” she insists, as if in keeping with the requirements of a genre-film script), but her reluctance doesn’t last long.

Soon, Kate (really) returns to the farm, where she meets Tyler Owens (Glen Powell), a self-proclaimed “tornado wrangler” who chases twisters for fun, chronicling his adventures. Broadcasts on YouTube. Tyler Stetson, wears a heavy belt buckle, yells “city girl” to Kate and is generally so disheveled it’s a miracle the Dukes of Hazzard Name not mentioned, requesting this month’s guest celebrity again. Tyler has his ragtag workforce – “We don’t need PhDs and fancy gadgets,” he yells – as well as a British journalist, a personality so stressed that he will eventually become useless. Anyone hoping for the irreverent, charismatic Powell we’ve seen accident boy Can be extremely dissatisfied.

The next push-and-pull between Kate and Tyler is pretty much what keeps the film’s two-hour workday going, with a narrow subplot involving Javi’s shady boss, a profiteering businessman named Marshall Riggs (David Bourne), who Follows both. In the wake of each tornado, buying broken land and components from beggars and people without insurance (a nearby trade is mentioned once by Kate’s mother). Unfortunately, the terrible realization that this is reality a love story – and in the worst conceivable form, where it takes a homely country boy to a neurotic business girl back to her roots. In fact, the only thing missing is a scene where Kate takes off her glasses and shakes her hair haphazardly.

Because there’s so much you can do with Tornado, twisters Things switch up for the final act, during which, instead of trailing behind the actual tornado, Kate and Tyler decide to overtake it and take out unwitting victims in its path. This leads them to El Reno, a rural backwater more American than Thornton Wilder. Our cityWhere the best and most curious part of the film occurs and Kate, now reunited with Tyler, revisits her initial polymer plan with the help of a rocket filled with silver iodide (or something).

worn to keep up with the latest Tornado And those expecting either a sequel or a reboot will be surprised to learn that it’s no more than a well-known, self-contained safe version of either of those alternatives. However, with the exception of die-hard fans of that film and franchise completists, it’s hard to believe who twisters is in reality For, The discussion is awkward, every time it’s no longer Satnav-speak (“There’s a right turn coming!”), and the air’s frightening habits of rotating unexpectedly isn’t really a point worth spending money on. Which, as a tip credit roll, may provide an explanation as to why there was a 28 year gap between this credit roll and the ending credit roll…

Name: twisters
Distributor: general photos
Let the autumn hour: 19 July 2024
Director: Lee Isaac Chung
screenplay by: Mark L Smith
forged: Daisy Edgar-Jones, Glen Powell, Anthony Ramos
score: PG-13
working day: 2 hours 2 minutes