Inside the area of ​​Dragon’s Blood and Cheese scene (unique)

Blackmail: This newsletter contains major spoilers Dragon’s Field Season 2 premiere, “A Son for a Son.”

For over a year, actors Sam C. Wilson and Mark Stobart couldn’t tell anyone that they got the roles Dragon’s Field Season 2. That was by design. His characters, Blood and Cheese, are curious about one of the terrible opportunities that can befall any personality in the world. game of thrones, the murder and beheading of 6-year-old Prince Jaehaerys Targaryen. The Order’s co-creator Ryan Condal tried to save the pair’s creation up to the imagination.

“We spent a lot of time choosing those people, but we didn’t want to make it too much of a ‘this intriguing thing comes from books’ thing and make it feel like a gimmicky thing,” Condal explains. holiday weekly, “Obviously we were trying to protect the moment. Everyone knows it’s coming. People are waiting for you to hit. Sometimes you have to work a little in the wrong direction to make it happen. came out in a satisfactory manner.”

This actual confrontation comes within the season 2 premiere, which takes its name from a significant nod to George R.R. Martin’s fire and blood: “Make it son for son.” Plagued by unhappiness, Rhaenyra Targaryen (Emma D’Arcy) declares before her war council, “I want Aemond Targaryen,” her half-brother (portrayed by Evan Mitchell) and the sole responsible for the lack of her son, Luceris, Velaryon. (Elliot Grihault). Rhaenyra’s husband and uncle, Prince Daemon (Matt Smith), translates this during his own personal Daemon style (possibly intentionally) and hires two propagandistic swordsmen to avenge the queen.

One of them is said to be a member of the Gold Cloaks with a disdain for the Hightowers and a commitment to Daemon. It will be identified as blood for ages. (The reserve first describes the nature as a pre-golden refuge.)

“When I got there, the director (Alan Taylor) said something like, ‘You’re the voice guy,'” said Wilson, an Amazon actor. Isn’t it and cbbc Trickster tells EW over a Zoom conversation with Stobart, whose personality certainly has a comparatively edgy tone. “Yeah, it’s that deep, but I went a little further for the blood. I think he had to feel completely horrible to understand what the hell he was doing, which is not good.”

The alternative is a rat catcher who owes gambling money who works at the Purple Book. History will consider him as cheese. Technically there is a third member of this team: Cheese’s dog. Wilson and Stobart celebrate the dog actor being more famous than the two of them, as he is the same dog who played the first domestic dog in Disney. Cruella, (“We were nothing compared to this dog,” Stobart jokes.) There’s a lot that doesn’t make sense about those characters now. fire and blood, “Their real names are lost to history,” writes Martin. But with Condal’s writing and the actors’ performances, they turned into clear figures in the dictionary. game of thrones,

Stobart recalls the audition, “It came through from a director I had worked for before.” “I had no idea who it could be. I didn’t know the world. There was a name. Sam, do you remember what the names were?” Wilson began typing in the search bar on his electronic mail inbox to find a solution. “It was Charlie!” Stobart continues. “It was Boris and Charlie instead of blood and cheese.”

Those weren’t the only ways to store those characters secretly. Other factors were discussed that influenced the actors to audition. In exchange for learning a royal prince is “going to be killed”, it learns he is “going to be kidnapped”. In lieu of the “Queen’s Quarters”, the scene was presented in the “Prince’s Quarters”. The tension eased when Wilson was given the opportunity to calm down in any case and focus on the original script: “I realized I was saying the lines as I learned them in the audition.”

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Stobart also recalls the activity demanded “decent comedy chops”, even though, says Wilson, “that disappeared very quickly. It really evolved through the shoot with things that were about We were talking with Alan, Ryan, and I remember auditioning for it, it’s much darker than anything I’ve seen on screen, which we accepted.

Blood and Cheese have their orders: enter the castle disguised as rat catchers and kill Aemond. Even though it doesn’t happen on digital camera, it’s clear that Damon gives them a condition: the one-eyed prince must live in the vast space, they must kill “a son” in return. And since, in fact, Aemond is not around, the assassins randomly find themselves in the nursery where the royal twins, Prince Jaehaerys and Princess Jaehaera, are sleeping. Cheese holds his mother, Queen Helena (Fia Saban), at knifepoint and threatens to kill them all if he does not name a male heir.

the chances are far worse fire and blood, The way Martin wrote it, Dowager Queen Alicent Hightower (portrayed by Olivia Cooke) Dragon’s Field) is available and Helena has three children instead of two, all of whom are awake and forced to be eyewitnesses. Blood kills and defends the bedroom; When the queen takes too long to choose which of her children to kill, the thing rapes Jaehara; And when Helaena finally relents and chooses her youngest, 2-year-old Maelor, Blood decapitates Jaehaerys in return, leaving Maelor with the knowledge that his mother wanted him dead.

There are a few components to why Line doesn’t strictly optimize the view in this way. For one, the display is on a significantly different timeline than the Reserve, meaning Mellor hasn’t been born yet and the other two are even younger. fire and blood it shows. “Mellor doesn’t yet exist on this timeline because 30 years have been compressed into 20 years,” says Condal.

Alternative challenging situations arose from the arrangement’s use of child actors. “We knew we would be challenged by getting kids to perform at such a young age – as someone who has had kids around this age, I’m very familiar with this,” says Condal. “Then there are certain things you can and can’t show kids on a movie set. If you try to do a believable rendition of that story, you have to look at it from all angles in terms of getting a performance from a kid. The challenge will be that sometimes it looks like the kid is going through it, but you’re using clever cutaways and insert shots.”

For example, when blood covers Jaehaerys’ mouth in the episode, the glove is actually worn by the child’s father, not Wilson. Later the death itself occurs off camera; The sound of blood splattering and cutting results in the sound accompanying Helena as she runs from the room with her daughter. “We were standing around a cot with a doll,” says Stobart. “It’s more shocking to watch than you can imagine, but in the grand scheme of filming it, it was just like any other job.”

Given the practical obstacles standing in his way, Condal moved again to the obvious part that had to be accomplished: Rhaenyra wants revenge, Daemon is setting out to accomplish it, though Rhaenyra doesn’t know specifically what. Asked for and it is still unclear. What did Damon demand? Condal says, “What we wanted to do was to create a visual sequence that satisfied the tone of the book, but also ground it in a reality that would work for our television audience, many of whom Must not have read the book.” “We wanted it to be somewhat of a dark take on the Cohen brothers’ heist, with a terrifying twist at the end.”

Wilson comments, “It was always about losing control and then being in a situation where we had no choice but to do what we intended to do because there was no way to escape.” “It ends up being a crime of incompetence on the show, and I think that’s where it differs from the book. It ends up being two completely incompetent hitmen.”

Even though their roles are fairly small, Wilson and Stobart make their playground think of the great historical past. game of thrones, which also includes blood and cheese in the list of tragedies such as the Purple Wedding ceremony and the burning of Shirin. “Being a part of it, you just hope it reaches the people it matters to,” Wilson says.

“People will have a really definite idea of ​​who Blood and Cheese are,” Stobart says. “I want people to look at it and say, ‘This is what I saw when I read the book.’ “To me, that would be a real job well done.”

Brand new episodes of Dragon’s Field The Wind airs Sundays at 9PM ET/PT on HBO.