Much has been made of it, from distributor Neon’s clever choice in all of its advertising and marketing to the difficult-to-understand villain of Perkins’ latest film. That air of mystery was already in the playground long before a trailer came out. Hell, even Cage’s co-star Maika Monroe, who plays the FBI agent hot on the satanic serial killer’s tail, didn’t “meet” Longlegs until Cage’s final season.
“Oz wanted to keep us completely separate,” Monroe told IndieWire in a recent interview. “Nobody showed me any picture of him. Oz wanted the scene when we first interact to be a complete surprise. Just imagine this. It was completely shocking and overwhelming. When I first met him, the cameras were rolling and they called the action. I opened the door, and there he was.
Within the film, beloved genre all-stars Monroe and Cage confront the Longlegs’ decades-long reign of terror in the seemingly safe suburbs of the Pacific Northwest, prompting the FBI to do something different to capture their unknown villain. Inspired to try. Longlegs never sets foot inside the homes of the families whose destruction he is responsible for, and with that rarity of evidence (and all the questions that arise from it) goes on a killing spree that begins with signs of a fight. When she refuses, young agent Lee Harker (Monroe) and her apparent psychotic objects are investigated.
When the couple finally meets face to face for primary age (or Is This?) In the unsettling, suffocating component of Perkins, they are acutely aware of each option. However, within a few minutes the audience may be ready – or already irritated and extremely internalized Harker – for the overall eccentricity of Cage’s longlegged get-up.
“it was crazy. It was absolutely crazy!” He said. “As you know, he completely changed. There is no sign of Nick, his voice, his mannerisms. He was very methodical in this matter. So it was in character, and it’s a very disturbing character to say the least.
While it is difficult to discern Cage’s full image from the selection, Munroe is a fan. It worked on him, didn’t it?
Monroe said, “I think it’s a wonderful way to do this movie.” “I think nowadays, there’s a lot in the media, I’ll see a trailer and say, ‘Oh, I know what this movie is about.’ It’s amazing what they’ve done with it, it’s like another extension of the film.”
And, remaining confident, Monroe and Cage managed to bond for a while.
“It was really lovely,” she said. “We filmed that scene and it was her last day, and so we finished filming, and then we had to (shoot) some pictures at the end. So the photographer comes in, and we’re sitting across from each other, and he says in exactly Nick’s voice, ‘Ah, okay, by the way, I’m actually a big fan of yours.’ ‘I feel like, what’s happening? Am I in a dream right now? What is happening?’ …It was a very surreal day for me.”
Monroe said Cage also shared that his “It Follows,” soon to be sequelized by filmmaker David Robert Mitchell, “is one of his favorite movies of all time.” He praised Cage, with the Oscar winner sharing that working with him was “amazing”. She laughed, recalling that week, “And I’m just like, ‘Get back to you right now, buddy!'”
Unlike Cage, Monroe said that she does not generally appear in persona during a program. “I go back to my mother’s house,” she said, when the name “cut” was called. “You can’t necessarily get out of it, but I’m definitely not a method type of actor. This is not just for me. I have a lot of respect for it. I think that’s incredible, and I think certain roles, in particular, you need to do that. I think for Nick, you need to stay in that place. No part of Nick exists in that character, but I think it’s good for me, just for mental health reasons, to be able to get out of that world.
Monroe, on the other hand, was very eager for “Longlegs” to step into Perkins’ world. “When I read it the first time, I was so obsessed with the world,” Munro said. “I haven’t had such an intense response to a script in a long time. It was one of those projects where I was like, ‘I need To do this.'”
Monroe said, “Reading the script was crazy, because the first 30, 40 pages, I was like, ‘Oh, I know where this is going,’ and then there are so many great twists at the end.” , “You’re saying, ‘Wait, wait, I’ll have to go back and read it again.’ And then you understand, you say, ‘Ah, now it all makes sense.’
The actress first met Perkins at a coffee shop, in a meeting in which the filmmaker described every inch of his vision for the film, including, yes, what Longlegs would look like. “I wanted this role very badly. I want this so Bad,” Monroe said. “After the meeting, when I talked to my team, I said, ‘That’s amazing. I feel like we nailed it.’ And my team was like, ‘He loved you, but he really didn’t think you were right for the role.'”
There was only one question in his mind: “What must I do?” Monroe and her team chose to self-tape several scenes – one with Blair Underwood’s fellow FBI agent persona in which Lee breaks the case, another with Alicia Witt as Lee’s mother – and played them later with Perkins. Sent to. The procedure was explained to him.
“This is my job, I’m an actor, and if you know me well, (and you do) this role, it’s very different from who I am, but I just wanted to prove myself and prove it to her. I wanted to do that,” she said. “Some of my favorite roles are the ones that have very few lines of dialogue. There’s a lot that can be expressed through the eyes, and I think there’s a challenge in that too, reading it and understanding where Lee comes from and her childhood and trauma and family relationships, and I think it’s a lot for people to suppress and push down. Common. I thought it would be very interesting to play with all the different layers of this character.
The film’s opening scenes have already drawn comparisons to other crime thrillers, notably the Jodie Foster-starring vintage “Silence of the Lambs”, in which callous Monroe takes on her own personal version of Clarice Starling. This was undoubtedly attractive to “The Guest” and “Watcher” superstars, who have trafficked in all kinds of horror movies for a long time.
“I love love, Love Crime thriller,” said the actress. “I think it’s an incredible style. I grew up loving ‘Zodiac’, ‘Memento’, ‘Silence of the Lambs’, of course, it’s one of the most incredible movies. What I love in a movie, and what I think is in ‘Longlegs,’ when you get to the end — the same way (I felt) when I read the script — it’s like, ‘Wait, I want to go back. Yes, I can understand.’ There are all these little secrets, all these little hidden moments, and you have to be a brilliant filmmaker to be able to show that, which Oz does exceptionally well.
As for her alternative horror co-stars? Monroe also has considerable affection for them, especially the large dolls that Longlegs has created as part of his nefarious schemes, and which often feel as supernatural and unholy as their ill-fated creator. .
“The first doll I met was the first doll we got in the movie, which I think is one of the scariest dolls,” Monroe said, admitting that they are “quite big” and ” Designed to “make you feel uncomfortable”. ,
Recalling the dolls that were supporting the standouts, Monroe shuddered a bit but seemed eager to get back to the message: There’s something here for the target audience at their age to find. “They are incredibly disturbing,” she said. “I don’t want to give anything away, so I’ll leave it there.”
Neon ‘Longlegs’ will be released in theaters on Friday, July 12.
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