Republic Regulations with Taylor Speedy

In the middle of 2024, it’s Taylor Speedy’s world once again, and we’re all just living in it. In the half phase of the year, he Field of Persecuted Poets The booklet is 2024’s biggest gainer so far, spending 9 out of 13 weeks of the second quarter at the top of the Billboard 200. This helped his label, Republic Data, top Warner Song Crew in flow marketplace percentage. For the year to June 27, Republic contributed 15.72% of the points – the most effective among individual labels.

Again, Speedy is far from an issue. Republic’s market share includes Mercury Data, Weighty Rowdy Data, and Island Data (in addition to indie distributors Imperial and Money Cash), and each of these labels could be on fire in the first half: Mercury’s Post Malone has collaborated with Speedy. , with heavy singles from Beyoncé, Blake Shelton and Wetty Rowdy’s Morgan Wallen (the peak of which, “I Had Some Help,” spent six weeks in the Disagree. scoring 1 out of 100), Weak Island’s Sabrina Chippy ruled the singles chart. has been doing for some time now and the same label’s Chappell Rhone has emerged as one of the most important artist stories of the year. Each of the three labels, if broken out on their own, would have ruled the midyear flow market percentage chart at 15, with Week Island notably recording a midyear mark (1.29%) that was more than double its percentage. Same level as last year, and represents its best midpoint share since 2018.

The surge from Republic, which is more than 3% from the 12.42% stream percentage posted in mid-2023, helped increase Common Song Crew’s industry-leading stream market percentage to 36.37% at the midway mark, which That’s above the middle. 34.48% It was the same period last year. In turn, Sony Song Entertainment’s flow percentage dropped to 26.07%, down from 27.54% in mid-2023; Warner Song Crew’s share of 15.68% this week fell from 17.26% achieved in the middle of last year. The indie sector increased from 20.72% to 21.88% through distribution ownership. By way of label capture, the indie crowd remained the industry’s largest segment with a 39.12% stream percentage and 37.35% general percentage, either of which may be marginally sick over the 12 months but fairly stable. .

Among individual labels, beyond Republic, Interscope Geffen A&M (whose market percentage includes the Verve label crew) also had a strong quarter. The label came in at 9.51% in flow percentage, along with Billie Eilish, up by a large margin from the 8.08% posted in mid-2023. Clash Me Dry and Cushion Which is the main way. Noting the realignment of UMG’s label creation under the Interscope Capitol Labels crew on the West Coast, within which Capitol now operates, ICLG reviews as important John Janikand Republic Recording Corporate on the East Coast, which includes some of Def Jam’s complementary labels that file in monte lipmanICLG’s flow market percentage available over 12 months stands at 13.54%, with Republic Recording Corporate at 16.36%.

Outside of those two labels, Warner Data – which includes Warner Latin, catalog label Rhino and part of Warner Nashville – has continued its hot streak from the first quarter as singles by Benson Boone (“Beautiful Things”), Teddy . Swims (“Lose Control”) and Zac Bryan (last year’s “I Remember Everything” with Kacey Musgraves) remain some of 2024’s greatest songs. Notably, Warner’s 6.30% stream percentage – which helps keep it in third place for the label – also comes before the impact of Brian’s latest booklet, great american bar scene, Because it was launched once for a half-year monitoring period. This is Warner’s easiest midyear mark in years and an increase of 5.62% over 2023, when it ranked 5th.

In fourth place is Atlantic, at a 5.24% flow percentage, which is significantly lower than the 7.34% posted in mid-2023 and, as Jack Harlow’s former dissenter notes, slightly above the 5.14% flow percentage within the first quarter. 1 “Lovin’ on Me” dropped some official songs of the year. (Atlantic’s percentage includes 300 Elektra Song Crew.) 5th Park, with a 4.59% flow percentage, belongs to RCA data, representing a decline in percentage from the past 12 months’ 4.98% midyear mark, although a There’s room on the guy’s feet, as it came 7th at this stage last year.

In the 6th, Colombia’s flow percentage increased from 3.71% to 4.35% in the 1st, as did Beyoncé’s cowboy carter And Hozier’s dissent. 1 single “Too Sweet” in part, although this is still down 5.16% from the middle of last year. (Columbia’s percentage includes some of indie distributor Red’s labels.) Meanwhile, Capitol Song Crew – whose percentage includes Virgin Songs, Motown/Trait Regulate, Capitol Christian, Blue Word and Astralwerks – ranked 7th with 4.03%. has fallen. The flow percentage is down from its 6.00% 2023 mark and 4.71% within the first quarter of 2024.

The trio of Sony labels surround Governor 10, although in a different line than the same period in 2023. In 8th, Epic Data has taken advantage of several heavy hip-hop albums within the first 1/2. Its stream percentage in the 12 months prior to 21 Savage, Edge and Metro Boomin was boosted to 2.78%, significantly higher than last year’s 1.82% percentage when it ranked 10th. Also moving up is Sony Latin, which came in 9th at 2.17%, up from 1.99% last year. This comes ahead of Sony Nashville, which dropped from 2.55% percent in mid-2023 to 1.96% percent in mid-2024.

Another heavy climber at mid-year is Alamo, which is up 1.78% so far this year, good for eleventh and a jump from the 0.96% flow percentage that kept this pace last year. (Alamo also launched indie distributor Santa Anna last year, which did business with Drake’s OVO Tone label in January.) Common’s Nashville (1.35%) and Latin (1.12%) followed in their 12th and 13th weeks, respectively. Consists of, Weeks BMG (0.93%) and Harmony (0.75%) – the latter of which achieved a massive crash with the Pulse Song-released “Million Dollar Baby” by Tommy Richman – ruling out 15 among the flow market percentages.

In general market percentage – which combines flow releases (days within 18 months) with catalog – UMG held the lead at 37.98% last year, compared to both Sony (27.21%) and WMG (18.22%). Has been increased to 38.52%. There was a slight decline, and the indie crowd through distribution ownership increased to 16.05% from 15.93% the previous year.

Among some individual labels, the race on reigns in overall percentage is very tight, with Republic’s 10.61% overtaking Interscope’s 9.88%, although each has seen its percentage rise over the 12 months. (On the subject of general percentage ratings for UMG umbrella teams: ICLG at 15.78% and Republic Recording Corporate at 12.45%.) Below them, Atlantic moved up to third place with 7.61% points, trailing Warner Data at 6.74%. The deeper catalogs of Capitol (in 5th) and Colombia (in 6th) allowed their stocks to connect digitally at 5.90%, with Capitol outselling Colombia by somewhat 5 ten-thousandths. RCA (5.05%), Epic (2.75%), Sony Nashville (2.02%) and UMG Nashville (1.86%) round out the Governor 10.

Via catalog percentage, UMG (39.25%) and Sony (27.60%) both grew 12 months over 12 months, while Warner (19.07%) and indies (14.08% through distribution ownership) both declined marginally. Among some individual labels, Interscope took the governorship slot, coming in at 10.00%, ahead of Republic’s 8.88%, each slightly above their prior-year marks. The Republic rises slightly above the Atlantic, falling down to the disagree. 3, with a percentage of 8.41%, week Warner Data (6.88%), Capitol Song Crew (6.53%) and Columbia Data (6.42%) have been carefully added to the trailing combination, with Warner Leaping Day Capital 12 months to 12 months Till then. RCA is available at 5.21% percentage, followed by Weeks Epic (2.75%), Def Jam Recordings (2.25%) and Sony Nashville (2.04%) with the entire Governor 10 being cast 7th.