‘Stereophonic’ Group Celebrates Document Tony Noms, Win Play the Best Game Possible

The Tony Awards are scheduled to air the evening’s finale award (the best possible musical, given to foreigner), although the champagne is already flowing at PJ Clark’s, across the street from Lincoln Center, where the ceremony is being held. The restaurant is hosting a celebration stereophonicThe newest game of this season that follows a band from the 1970s (this is undeniably so) Not now Fleetwood Mac) as they paint over a new booklet of the past at the pinnacle of illustrious reputation, as break-ups, dry partying and gear struggles threaten to end it all. The performance received 13 nominations this week, breaking play slave gameReport on the most nominated play in Tony Awards history. However on the contrary play slave gameThose who did not win a single statue took home 5 trophies, including one for playing the best game possible.

Will Butler, a previous member of Arcade Hearth who wrote the latest songs for the Play Games, has already settled in at Clark’s, netting in the back and raising a martini glass as the crew watches. foreigner Takes the level to accept their prize. Butler lost in their divisions (best possible rating and best possible orchestration with track director Justin Craig, respectively), but came out on top in the show’s final few, stormy months.

“It felt great, then I was tired, then it felt weird, then it felt great,” he says at the evening’s close. “Then I ate a little and now I feel really good.”

The performance is the culmination of eleven years of hard work by him, director Daniel Aukin (who won Best Director) and playwright David Adjmi (recipient of the Best Play trophy). “It was very familiar,” Butler says of the kind of “alchemy” that attracted him to the crew. “Arcade Fire was a very collaborative band. My current band is very supportive. It is deeply collaborative. Everyone working on it is a beautifully accomplished writer and editor.

Era Butler is too sick to talk about her evening, her father comes to congratulate her once again before she prepares to lose him. The entire cast and crew are surrounded by excited friends and the community, who are more than aghast at the winners and nominees.

During his acceptance speech for Best Possible Play Games, an extremely nervous and excited Adjmi joked about how the beta blocker his agent gave him before the show was not working. When he arrives at the festival, I asked him if it had started yet, to which he replied with an emphatic “No!”

He added, “I thought I would have to be hospitalized at that stage.” “As I was going up the stairs, I said to my director, ‘I can’t do this. I want to go back to my seat. It was horrible!”

since stereophonic Opened in April, it’s been a shock to anyone else – many rave reviews and sold-out properties have allowed the show to be extended (for now) to January. Even the soundtrack has made a splash: these days there are more listeners per month on Spotify than a Best of Music revival of Winner we move easily together,

“As soon as I get used to some new things happening, everything opens up again,” Adjmi demonstrates. “I’m like ‘Wait a minute, what is my reality now?’ The show itself is moving, plus the public and the critics are reacting to it in a way that, for me, is really what keeps people coming back 10 times over. It has the same effect.”

Adjmi attributes this to the kind of word-of-mouth that the show began to grow off-Broadway at Playwrights’ Horizon, where hardcore theater enthusiasts and local untapped New Yorkers filled the much smaller theater every night. Even after this, however, there was no such radically new and dangerous idea of ​​a performance whose target audience was monitoring the drama being broadcast from behind the soundboard of a recording studio.

“For the first preview, I sat in a critic’s seat. We got 20 minutes into it, and I just started crying a little bit because the audience was laughing,” recalls Ryan Rumery, who received the award that night for Best Possible Pitch Design of a Play Games. stereophonic, He was extremely pleased that the audience immediately understood what they were trying to do with the show. “And I said, ‘Okay, this set design will work.’ Then the music starts playing and I’m like, ‘We can do this.’

Will Brill, who received Best Performance by a Featured Actor, over Jim Parsons, Corey Stoll and two of his other players. stereophonic Classmates are swimming in the dining room below PJ Clark. With the trophy in hand and wearing a long, sleeveless tunic over pants, Brill’s elbows are being grabbed by everyone passing by. For him, stereophonic It is a proof of perseverance.

“This show is a real lesson in how you can’t plan because David Adjmi and I met in a café 10 years ago, and he had written seven pages of this play and said, ‘I think you’ll be Play someday,'” he recalls. “And then I met him in a coffee shop in L.A. three years later and he was so manic and writing his memoir, and I said, ‘Oh, we’ll never do this play.’ do.’ And now I’m winning a Tony for it.

Brill plays Reg, an early member of the eponymous band central to the plot. He’s a tormented, drug- and alcohol-addicted bassist whose wife and bandmate Holly (Julianna Canfield) is able to leave him for good. Through the end of the screen and the creation of the booklet, Reg calms down, shows peace, and falls in love with someone else. The arc is big – although Brill plays it with humor, grace and empathy.

“I feel very fortunate to play his character. “She’s such a sweet unit,” says Brill. “Shows like this make me wonder if I have the physical, mental, emotional capacity for this life. David asked a lot of us, and we all loved it and wouldn’t think twice about doing it.”

Now that the nerve-wracking nature of Tony season is wearing off for them, the cast and crew have other things to focus on — like a summer tour with Butler’s band Will Butler + Sister Squires, where they played on a few songs. Make plans to play games. From the display. He and Adjmi are also planning to write a rock opera together this week. However, Adjmi admits that he has not been able to consider his alternative writing in three months. In recent years, he has been complaining to the authorities about the adaptation stereophonic In a film or TV order.

“I’m entertaining them,” he says, making it clear that nothing has been signed or demonstrated yet. The future has nothing to show but their growing target audience is hungry to be more immersed in this world stereophonic It will be completed sooner or later. “I think it could definitely work. I know I’d have to put it in a new petri dish and let it grow because it’s designed to be a very theatrical experience. I’m excited by that challenge.” Excited. It could be thrilling in another medium. After initial plans to write a rock opera with Butler, Adjmi has a two-part game to complete.

PJ Clark is the only opponent of the evening for the team. They’ll take a look at the Carlyle, where a must-attend celebration is hosted each week by the director of their exposure company O&M. It’s a delicious star-studded match that goes well into the night with never-ending French fries and bottles of Moët.

Like Madison’s gate, Suitable Nominee Sarah Paulson chats with Billy Porter. Through the Bemelman bar, Eddie Redmayne grabbed a slider from a tray as the Living Room Singers played their opening song. Cabaret, Just before the second floor opens the community packs into a ballroom, which features an omelet station and a DJ who spins remixes of Lauryn Hill and Janet Jackson.

There is no doubt that Butler is one of the first members of the team to give his best performance in the crowded scene. When the show’s two, Tony-nominated female stars, Sarah Pidgeon and Julianna Canfield, start around 2 p.m., they immediately get into posing for photos with alternate nominees, e.g. hell’s KitchenShoshana Bean. Whatever room Brill enters, it doesn’t take long for the younger crowd to hold court and be showered with congratulations. Eli Gelb, who plays the band’s harried engineer, shows up like a few o’clock, causing a small photo of himself near Bemelman’s entrance.

At the stage, Adjmi somewhat noted the importance of casting the public who were not already Broadway celebrities for such a role. Although from the looks of it, the cast and crew are behind stereophonic Already the biggest star in the room.